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IIRY Podcast: 24. Celia Hatton: “You have to speak up and take up space.”
A chat with violist Celia Hatton about microaggressions, implicit bias, and institutional racism in classical music and beyond.

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In this conversation with violist Celia Hatton, we discuss racism, implicit bias and microaggressions; the illusion of meritocracy in classical music; beauty standards; institutional racism and white supremacy. 2:32 – Celia talks about growing up in a musically and artistically eclectic family and how she got started on the viola. 9:18 – Celia talks about […]

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IIRY Podcast: 19. Mai Der Vang: “I have to be twice as good to be given access, to be heard.”
A chat with award-winning writer, Mai Der Vang, about being the child of Hmong immigrants; the challenges of being a female, P.O.C. artist; and why we must trust our own creative impulses.

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In this conversation that took place shortly before the pandemic and shelter-in-place order, award-winning writer Mai Der Vang and I discuss why failure is always a way to build resilience; the burden of excellence that many immigrants experience plus the challenges of being a female, P.O.C. writer and academic in the American literary landscape; and […]

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IIRY Podcast: 9. “The child of Korean immigrants, living in the in-between space”: An excerpt from my work-in-progress, LUNCH BOX, about food, mothers and daughters, identity, microagressions, representation, and one kind of Asian American experience.

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I saw a bag of Gochujang Potato Chips from Whole Foods and I was thrown back in time to my childhood, when my mother made me impeccable Korean meals that I took to school in my Hello Kitty lunch box with my Little Twin Stars chopsticks. Here is a piece of writing I am working […]

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IIRY Podcast: 7 – “Asians are both the ‘model minority’ and an invisible minority”: Creating space for conversations about racism against East Asians in classical music. A Chat with Mina Yang, pianist, professor, and writer.

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In my conversation with pianist, professor, and writer, Mina Yang, we discuss the complicated experiences of racism against East Asians in Classical Music and in the dominant culture, how Western Classical Music proliferated in East Asia through imperialism and colonialism, and how the myth of the “universal” nature of Western Classical Music discourages conversations around […]